Andrea Vasi and Ellen Valkenburg perform from 7 Chansons de C. Marot part 5: Present de couleur blanche en part 7: Du confict en douleur, composed by George Enescu.
Cameron has distinguished himself by his mysterious scenic presence, his voluptuous timbre and his highly studied interpretation”O P É R A M A G A Z I N E ( F R ) Cameron is the winner of a special prize awarded by the Royal Opera House (London, UK) at […]
From September 2019 on Nikki will be part of the ensemble of the Staatsoper HannoverRoles include:Pamina, Zerlina, Gretel, Lenio (Greek Passion, Martinu), Despina and Ännchen
During the season 2019/2020, Lilian will sing Pamina (Zauberflöte) with Opera Zuid, Susanna (Le nozze di Figaro) in Nancy and 1st Nymph (Rusalka) at Dutch National Opera. Recently, she sang the role of Papagena in ‘Die Zauberflöte’ in the direction of Simon McBurney, both at the Dutch National Opera and […]
Future engagements include the role of Alphise in Les Boréades with Collegium 1704 (Vaclav Luks) in concertperformances in Moscou, Vienna and Versailles as well as the first recording of this opera by Rameau, the role of Théone in Phaëton by Lully at the Opéra the Nice as well as a […]
He obtained his first master degree in composition from Liszt Ferenc Music Academy Budapest (2009), and his second from The Royal Conservatory Den Haag (2012), where he is currently studying Classical Singing as Major and Conducting as Minor. As a soloist he trained several years with Eva Bodrogi, Katalin Schultz, […]
In the coming seasons Barbara will perform with the Rotterdam Philharmonic Orchestra, Birmingham Symphony Orchestra, Academy of Ancient Music, Orchestre National de Lille, Tiroler Symphonie Orchester Innsbruck, The Hague Philharmonic and Slovenian Philharmonic Orchestra.Slovenian mezzosoprano Barbara Kozelj has established herself as a charismatic and versatile soloist and musician. Her performances […]
Ermione, Rostock TheaterDas Rostock Theater hat mit Gulnara Shafigullina eine veritable Entdeckung im dramatischen Rossini-Gesang zu bieten. Sie zeigt sich mit substanzvolleem Ton, gut entwickeltem Zentrum, fließender Geläufigkeit, aber vor allem beachtlichem Ausdrucksvermögen den differenzierten emotionalen Nuancen dieser großen Colbran-Rolle gewachsen. Shafigullina lässt den Zuhörer mit ihrer vor Erregung bebenden […]
